Here is some of the kit we have inhouse:
I have to admit to being something of a microphone obsessive, which is why I have such a good range.
Neumann U87 ai – a studio classic large diaphragm condenser and worth every penny.
sE Electronics Gemini III – another classic. The Gemini II is a twin valve cardioid LDC mic with a beautiful sound. The III is a limited edition multi-pattern version of it.
Neumann TLM 193 – a cardioid LDC with a darker character than many of my other mics.
Aston Spirit – A modern multi-pattern LDC unusual for it’s industrial appearance and the fact that it was made as well as designed in Britain. Fast becoming a favourite of mine.
Studio Projects LSD2 rebuilt by Oktavamod – this beautiful mic is two multi-pattern LDCs stacked on on top of the other, allowing enormous versatility in stereo recording. I like to use it with two KM184 or NT5 outriders when recording on location.
Sontronics Sigma – an active ribbon mic with a smooth vintage character that is lovely with the right voice or instrument, my go-to for higher female voices.
Neumann KM184 – a matched pair of really excellent small diaphragm condensers, beautiful on guitar and also very nice on location recording in ORTF or co-incident arrangement.
Rode NT5 x 2 – a matched pair of this fine small diaphragm condenser mic, I also have omni capsules for them.
Rode NT4 – a stereo mic that is essentially two cardioid NT5’s held as a coincident pair. a nice mic for guitar.
Earthworks QTC-1 x 2 – A matched pair of omni mics with a staggering flat frequency range from 40hz to 40khz. Beautiful mics for the right job, I’m inspired by these!
Sure SM58 – I believe that in law no studio is permitted to operate without at least one of these cardioid dynamic mics to hand.
Digital Audio Workstation
Apple Mac Mini quad-core computer.
Logic Pro 9 and X – recording and editing software, extended with a wide variety of third party plug-ins such as Melodyne and UAD.
UAD Apollo 8 – new to the studio this Thunderbolt interface with 4 preamps integrates beautifully with Apple hardware and also brings the ability to run UAD plugins both during tracking and mixdown. I have recently added an Apollo Twin to this to give two further preamps plus a bit more DSP grunt.
Mackie Onyx 800r – provides an additional 8 high quality preamps via ADAT.
Mackie Control Universal Pro – moving fader control surface with extender for a total of 16 channels.
Naumann KH120A – active nearfield monitors provide the main monitoring facility.
Avantone Mixcube – A single monitor provides “grotbox” and phase checking of mixes.
Genelec 8030a monitors provide sound for the artists.
Drawmer MC2.1 – provides monitor control for the studio.
AKG K702 headphones for mixing, several pairs of AKG K55 headphones for tracking.
Tascam DR680 – A solid state recorder with very good preamps capable of recording up to 6 tracks simultaneously, I use this for location recording and then transfer the tracks to Logic for mixdown on return to the studio.
Roland Handsonic HPD15 – I am not geared up to record live drums but this electronic hand drum can be used to provide many percussion effects.
Roland JV1080 synth – (with assorted expansion cards). I have this mostly for use with my MIDI concertina but it is available for anyone to use.
Korg MS20 Mini – Likewise with this modern recreation of a classic late ’70s analogue synthesiser.